My drawings arise from the observation of inner states and physical reactions to the outside world. They are traces of processing: collecting, sorting, translating. Lines, surfaces, and structures follow an inner logic that translates into visibility.

What is often referred to in medical language as a symptom or deviation appears here as an expression of perception and survivability. The drawing becomes a medium that reveals the subtleties of the nervous system—irritations, breaks, pauses, moments of overload. I work with various techniques: stitched lines, collaged fragments, reassembled remnants. Discarded elements that were once considered “not good enough” become carriers of a new order in which the irregular and peculiar retain their value.

The drawing thus understands itself as an organism in process—vulnerable and unruly at the same time, permeable to traces that are not smoothed over but remain. In my art, I combine theory and practice to make complex inner states visible. My works are autobiographical and arise from an intensive observation of my sensory and linguistic perception. I use various media such as drawing, text, sound, and textiles to explore the complexity of language and perception and to make the often invisible nuances audible and visible.